Reading today’s headlines it is no surprise that dystopian fiction has attracted a new audience. Book sales of classics like 1984 and Brave New World have skyrocketed, meanwhile Canada’s dystopic diva Margaret Atwood has found a new fanbase for her classic, The Handmaid’s Tale, with Hulu’s dark and wildly popular TV series.
In honour of these dark times, may I present #NVCLreadsDystopia
Station Eleven by Emily St. John Mandel
I absolutely LOVED this book.
Station Eleven asks a question that most dystopian novels miss: how do the survivors of a worldwide epidemic learn to enjoy life after they’ve learned how to survive? What happens to art when 99.9% of the world is dead? Emily St.John Mandel weaves convincing characters together with the most intriguing elements – Shakespearean theatre, a traveling symphony, cults, kidnappings, a very fluffy puppy, secret poets, sci-fi comic books, the life of the rich and famous, and the life of a paparazzo. Station Eleven is one of those books that sits in your mind, begging for attention, long after it’s over. (From the publisher).
Although it was originally published in 1985, as mentioned earlier The Handmaids Tale is likely the best known piece of Canadian dystopian fiction today. Set in a near-future totalitarian England, the Republic of Gilead, the novel explores themes of women in subjugation and the various means by which they gain individualism and independence.
If you’ve had enough of Gilead, Margaret Atwood has plenty to offer for those interested in imagining just how bad things could get.
As the first book in the dystopic trilogy, and soon to be it’s very own HBO series, no Canadian dystopic list would be complete without Margaret Atwood’s riveting novel Oryx and Crake.
When the story opens, the narrator Snowman is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, who think of him as a kind of monster, he explores the answers to these questions in the double journey he takes – into his own past, and back to Crake’s high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief. (From the publisher).
Neuromancer was the first novel to win the Nebula, Huge and Philip K. Dick Award–an unprecedented achievement which thereby legitimized cyberpunk as a mainstream branch of science fiction literature. Set within the Matrix, a world within the world and global consensus- hallucination, Neuromancer follows the story of Henry Case. Case had been the sharpest data-thief in the business, until vengeful former employees crippled his nervous system. But now a new and very mysterious employer recruits him for a last-chance run. The target: an unthinkably powerful artificial intelligence orbiting Earth in service of the sinister Tessier-Ashpool business clan. With a dead man riding shotgun and Molly, mirror-eyed street-samurai, to watch his back, Case embarks on an adventure that ups the ante on an entire genre of fiction. (From the publisher).
New Arcadia is a city-sized oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd.
Hwa is of the few people in her community (which constitutes the whole rig) to forgo bio-engineered enhancements. As such, she’s the last truly organic person left on the rig—making her doubly an outsider, as well as a neglected daughter and bodyguard extraordinaire. Still, her expertise in the arts of self-defense and her record as a fighter mean that her services are yet in high demand. When the youngest Lynch needs training and protection, the family turns to Hwa. But can even she protect against increasingly intense death threats seemingly coming from another timeline?
Meanwhile, a series of interconnected murders threatens the city’s stability and heightens the unease of a rig turning over. All signs point to a nearly invisible serial killer, but all of the murders seem to lead right back to Hwa’s front door. Company Town has never been the safest place to be—but now, the danger is personal. (From the publisher).
For fans of the HBO series Westworld, comes a taut and thought-provoking novel about the personal identity and the power of one’s past.
In the indeterminate future in an unnamed western city, physical impediments to immortality have been overcome. As society approaches the prospect of eternal life, a new problem must be confronted: with the threat of the brain’s storage capacity being overwhelmed, people want to move forward into the future free from redundant, unwanted and interfering memories. Rejuvenated bodies require rejuvenated identities–all traces of a person’s past are erased and new, complete fictions are implanted in their stead. On occasion, though, cracks emerge, and reminders of discarded lives seep through. Those afflicted suffer from Leaked Memory Syndrome, or Nostalgia, whereby thoughts from a previous existence burrow in the conscious mind threatening to pull sufferers into an internal abyss.
Doctor Frank Sina specializes in sealing these memory leaks. He is satisfied in his profession, more or less secure in the life he shares with his much younger lover, content with his own fiction–a happy childhood in the Yukon, an adulthood marked by the influence of a mathematician father and poet mother. But one day, Presley Smith arrives in Frank’s office. Persistent thoughts are torturing Presley, recurring images of another time and place. As he tries to save Presley from the onslaught of memory, Frank finds clues that suggest Presley’s past may be located in war-torn, nuclear-ravaged Maskinia, a territory located in the southern hemisphere, isolated from the north by fiercely guarded borders and policy barriers. Frank’s suspicions are only intensified when the Department of Internal Security takes an interest in Presley. They describe him as one of their own, meaning his new life was one they created for him, and they want him back. Who was Presley before the Department remade him, what secrets are buried in the memories that are encroaching upon him? As Frank tries to save Presley from both internal and external threats, cracks emerge in his own fiction, and the thoughts that sneak through suggest a connection with the mysterious Presley that goes well beyond a doctor and his patient. (From the publisher).