Oh boy, here we go. Spring is undeniably here and so begins my serious season of reading. As a fair-weather cyclist and wannabee-marathoner, this is my season for audiobooks coupled with languid days of sitting in the sun trying desperately to inhale all the Fiction. All of it. Here’s a list of what I’m most excited for this season:
March has been my month of guilty pleasures. For whatever reason, my new policy is that if I want to read something non-fiction, classic or not-in-season, I have to do it via the library’s collection of downloadable audiobooks, hence the following list of 2015 titles that slipped by during the fall and winter.
This month I listened to Celeste Ng’s haunting yet beautiful novel, ‘Everything I Never Told You’, as well as
J.K Rowling Robert Galbraith’s ‘Career of Evil’. I’ve never been a huge mystery-reader, however this is the third Cormoran Strike mystery I’ve listened to and can’t get enough of Robert Glenister’s narration style and voice. Finally, I also listened to Aziz Anzari’s ‘Modern Romance‘, a funny and insightful sociological examination at the often baffling world of modern heterosexual dating, which admittedly resonated a bit too eerily for this twenty-something-reader. Added bonus: Anzari narrates the audio-version and includes lots of bonus commentary. Plus, he is hilarious.
Speaking of guilty pleasures…. I just finished the final installment of Pierce Brown’s ‘Red Rising’ Trilogy and was not disappointed. While Brown’s writing style is a bit too sci-fi “Bro-talk” for me, he is an undeniably gifted story teller and I’d recommend the trilogy for anyone looking for a page-turning action thriller.
In anticipation of the upcoming North Shore Writer’s Festival, I just picked up a copy and am already enthralled by Camilla Gibb’s new memoir ‘This is Happy.’ The book reveals the intensity of the grief that besieged her as the happiness of a longed-for family was shattered when Gibb was eight-weeks pregnant and her wife announced she was leaving. Reflecting on tangled moments of past sadness and joy, alienation and belonging, Gibb revisits her stories now in relation to the happy daughter who will inherit them, and she finds there new meaning and beauty.
Moving forward, here are the new spring titles I’m most excited to read this April.
Celebrated by critics around the world, and longlisted for the 2016 Man Booker International Prize, The Vegetarian is darkly allegorical, Korean Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her. A beautiful, unsettling novel about rebellion and taboo, violence and eroticism, and the twisting metamorphosis of a soul
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams–invasive images of blood and brutality–torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself. .
Viann and Isabelle have always been close despite their differences. Younger, bolder sister Isabelle lives in Paris while Viann lives a quiet and content life in the French countryside with her husband Antoine and their daughter. When World War II strikes and Antoine is sent off to fight, Viann and Isabelle’s father sends Isabelle to help her older sister cope. As the war progresses, it’s not only the sisters’ relationship that is tested, but also their strength and their individual senses of right and wrong. With life as they know it changing in unbelievably horrific ways, Viann and Isabelle will find themselves facing frightening situations and responding in ways they never thought possible as bravery and resistance take different forms in each of their actions.
Admittedly, I need to start this series from the beginning, but with the release of the final installment, I’ve decided to listen to the first three, then read the final book next month, wish me luck!
Here’s a synopsis from the publisher: ” A modern masterpiece from one of Italy’s most acclaimed authors, My Brilliant Friend is a rich, intense and generous hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighborhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.”
The Bad Mother by Marguerite Andersen (on order at NVCL)
Translated from the award-winning French novel La mauvaise mère, prolific author Marguerite Andersen fictionalizes the important moments of her life resulting in this unflinching account of her relationship with her three children and her years spent following her caprices and lovers, trying to regain the agency she lost when she became a mother.Born in Germany, Marguerite was just into her twenties when she moved to Tunisia with her French lover. She thought she was choosing a life of adventure and freedom, but what she got was children and a marriage that quickly became abusive. Constrained by the minutiae of everyday life, Marguerite longs for the agency to make her own choices. Eventually she flees, leaving her children behind for a year and a half.
As the world labels her a wife, a mother, and eventually a bad mother, Marguerite wrestles with her own definition of personhood. Can you love your children and want your own life at the same time? A half-century later, this fictionalized account of Andersen’s life is written with brutal honesty, in spare, pithy, and often poetic prose, as she expresses her own conflicted feelings concerning a difficult time and the impact it had on her sense of self. Andersen confronts the large and small choices that she made—the times she stayed and the times she didn’t—all the while asking, “What kind of mother am I?”
In the late seventeenth century two penniless young Frenchmen, René Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a ” seigneur ,” for three years in exchange for land, they become wood-cutters–barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi’kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years–their travels across North America, to Europe, China, and New Zealand, under stunningly brutal conditions–the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse.
Could the taming of Shakespeare’s shrew, Katherina, happen today? Find out in this funny, off-beat version from one of our most beloved novelists. o Anne Tyler’s retelling of The Taming of the Shrew asks whether a thoroughly modern, independent woman like Kate would ever sacrifice herself for a man. Its answer is as individual, off-beat, and funny as Kate herself.